The central question concerns the date of availability of the song “Pompeii” as performed by the musical group Bastille. Determining this necessitates specifying the initial public offering of the recording for purchase or widespread listening.
Understanding the timeline surrounding the song’s distribution provides context for its impact on popular music. Its availability marked a significant moment in the band’s career, influencing their trajectory and establishing a specific place within the broader cultural landscape. The release date serves as a point of reference for analyzing the song’s reception and its subsequent performance in various music charts globally.
The information regarding the specific date in question is detailed below. “Pompeii” by Bastille was officially released on February 24, 2013, as the fourth single from their debut studio album, Bad Blood.
Insights Regarding the Timeline of “Pompeii” by Bastille
This section provides guidance for understanding the release and impact of the track “Pompeii” by Bastille. Knowledge of its chronological placement within the band’s discography and popular music history offers valuable context for analyzing its reception and significance.
Tip 1: Focus on Official Releases: The generally accepted date of dissemination is February 24, 2013. Prior unofficial releases or promotional materials should be differentiated from the commercial release date.
Tip 2: Consider Album Context: “Pompeii” appears on the album Bad Blood. Researching the album’s release date provides a broader context for the single’s placement within Bastille’s overall artistic output.
Tip 3: Acknowledge Regional Variations: While a primary release date exists, be aware that minor variations in availability might have occurred in different geographic regions. Investigate specific regions if greater precision is required.
Tip 4: Track Chart Performance: Examination of music charts shortly following February 24, 2013, indicates the initial public response and uptake of the song. This provides a quantifiable measure of the release’s immediate impact.
Tip 5: Note Critical Reception: Contemporary reviews and critical analyses published around the release timeframe offer valuable insights into how “Pompeii” was initially perceived by music critics and the broader media landscape.
Tip 6: Analyze Subsequent Usage: Tracking the song’s appearance in film, television, and advertising after its release date demonstrates its enduring popularity and cultural influence.
Understanding these facets of “Pompeii”‘s release and initial impact enhances comprehension of its significance within Bastille’s catalog and popular music culture.
These tips serve as a foundation for contextualizing the song’s place in musical history.
1. February 24, 2013
February 24, 2013, represents the definitive date correlating to the release of the song “Pompeii,” performed by Bastille. The connection is not arbitrary but rather causal; this date signifies the point at which the recording became commercially accessible to the public, either through digital distribution platforms or physical media sales. Consequently, to accurately respond to an inquiry regarding the debut of this specific musical work, reference to this particular day, month, and year is indispensable.
The significance of pinpointing this date extends beyond simple record-keeping. It serves as a critical reference point for music industry professionals, researchers, and enthusiasts alike. For example, analyzing the song’s chart performance requires knowing its release date to track its ascent and descent on various music charts. Similarly, historical analyses of Bastille’s career trajectory would be incomplete without acknowledging the impact of a major single upon its initial market entry. Legal and copyright considerations are also fundamentally linked to the commencement date of commercial distribution.
In summary, February 24, 2013, is not merely a random chronological marker. It is the verifiable event initiating the presence of “Pompeii” in the music market and popular consciousness. Understanding this precise correlation is crucial for analyzing its success, assessing its impact, and accurately documenting its place within the broader history of contemporary music.
2. Fourth single, Bad Blood
The designation “Fourth single, Bad Blood” provides critical context for “when was pompeii by bastille released.” Its status as the fourth single directly influences the timeframe of its release. Since the album Bad Blood and its preceding singles followed a sequential release schedule, its position as the fourth single meant that its release occurred after the preceding three singles and before any subsequent ones from the same album. The album Bad Blood provided the framework to which “Pompeii”‘s existence was made, after it was released as part of the album.
Consider, as a hypothetical example, if “Pompeii” had been designated the first single. In such a scenario, its release date would have inevitably been earlier in the overall timeline of the Bad Blood album promotion. Conversely, had it been released later, its public debut would correspondingly shift to a later date. Therefore, stating “Fourth single, Bad Blood” acts as a temporal anchor, fixing the period when the song would realistically emerge in the musical marketplace.
In summary, the relationship between “Fourth single, Bad Blood” and the release timeframe is a direct consequence of industry practices. The sequential release of singles tied to an album places temporal constraints on each individual song. Knowing its position within this sequence is thus crucial for accurately determining or approximating the point at which it became publicly available, and for better understanding the entire timeline of a song’s release.
3. Initial chart performance
The initial chart performance of “Pompeii” is inextricably linked to its release date. This performance provides quantifiable data points illustrating the song’s immediate reception and impact following its availability on February 24, 2013.
- Sales Figures and Streaming Data
Sales figures and streaming data, collected shortly after the song’s release, represent the first concrete metrics of its popularity. Increased digital downloads, physical sales (if applicable), and streaming numbers within the first week or month directly reflect the initial consumer response. For “Pompeii,” a strong showing in these metrics signaled a promising start and foreshadowed its subsequent success on larger charts.
- Entry Position on National Charts
The entry position on national music charts, such as the UK Singles Chart or the Billboard Hot 100, serves as a key indicator of immediate impact. A high initial chart position implies significant early popularity and widespread adoption by listeners. “Pompeii”‘s initial charting position across various countries provided early validation of its appeal and commercial viability.
- Radio Airplay Reception
Radio airplay data during the weeks following the release illustrates its uptake by radio stations. Increased airplay translates to greater exposure and broader audience reach. A positive correlation between release date and radio airplay volume suggests strong support from radio programmers, further fueling the song’s ascent on the charts.
- Social Media Engagement
Social media engagement, including mentions, shares, and user-generated content, offers an ancillary gauge of initial public reaction. A surge in social media activity coinciding with the release indicates heightened interest and potential for viral spread. “Pompeii”‘s initial social media traction played a role in amplifying its visibility and driving its popularity.
These multifaceted aspects of initial chart performance, viewed in conjunction with its release date, provide a holistic understanding of how “Pompeii” was received by the public and the music industry. The data accumulated in the period immediately following February 24, 2013, serves as a crucial indicator of its trajectory and enduring appeal.
4. Critical reception
The critical reception accorded to “Pompeii” upon its release is intrinsically linked to the specified date, February 24, 2013. This date demarcates the commencement of public engagement with the song, including the formation of opinions and analyses within journalistic and music criticism spheres. Therefore, the release date sets the chronological stage upon which the critical reception unfolds. The reviews, articles, and commentaries published in the weeks and months following the date serve as a direct response to the released work.
Critical reception functions as a component of the song’s overall impact. Positive reviews, commendations for its innovative sound, or appraisals of its lyrical content contribute to its visibility and enhance its prospects for chart success and broader recognition. Conversely, negative reviews or criticisms could potentially impede its trajectory. For example, if influential music critics had uniformly dismissed “Pompeii” upon release, its ascent in the charts and its subsequent enduring popularity might have been significantly curtailed. The practical effect is that public perception is shaped by the media’s response to a song. One can see the cause and effect as the song is released, then music critics comment, then the public makes their opinion. The quality and nature of these opinions are determined by the success of the song and their own music opinions. The nature of the effect makes this point so important to consider.
The critical reception surrounding “Pompeii” directly reflects not only the artistic merit perceived within the song but also influences its overall trajectory. Understanding the interplay between the official availability of the recording and the subsequent critical evaluation is crucial for comprehending its cultural significance. The confluence of these factors determines how a piece of music is initially framed and ultimately remembered.
5. Cultural impact analysis
Cultural impact analysis, in the context of “when was pompeii by bastille released,” provides a framework for understanding the song’s lasting influence on society, artistic trends, and popular culture. The release date serves as the baseline from which this impact can be measured and evaluated. The analysis explores how the song resonated beyond its initial commercial success and permeated various aspects of contemporary life.
- Influence on Subsequent Music
The impact on subsequent music styles and artist productions demonstrates cultural influence. “Pompeii” possibly spurred similar musical compositions, lyrical themes, or visual aesthetics in other creative works. Identifying instances where other artists have directly or indirectly referenced the song’s style provides evidence of this cultural resonance.
- Usage in Media and Advertising
The utilization of the song in film, television, advertising campaigns, and video games signifies a broad cultural impact. Its inclusion in these various media formats exposes the song to diverse audiences, reinforcing its familiarity and cultural relevance. The number and type of media appearances can quantify this facet of its impact.
- Parodies and Cover Versions
The creation of parodies, covers, and remixes of the song demonstrates its significance within popular culture. These derivative works represent interpretations and adaptations of the original, highlighting its memorability and cultural ubiquity. The volume and variety of such works reflect the extent of its influence.
- Social and Political Commentary
The song’s connection to social or political movements indicates deeper cultural relevance. If “Pompeii” became associated with specific social causes, political events, or cultural trends, this association denotes its integration into broader societal conversations. This intersection demonstrates its resonance beyond mere entertainment.
Analyzing these facets, commencing from the release date, provides a comprehensive understanding of the song’s long-term impact on society and its enduring place in popular culture. This multifaceted examination provides insights into the multifaceted ways in which a musical work can transcend its initial release and become a significant cultural touchstone.
Frequently Asked Questions Regarding the Release Date of “Pompeii” by Bastille
This section addresses common inquiries and provides clarification concerning the release of the song “Pompeii” by Bastille, offering verified data and addressing potential points of confusion.
Question 1: What is the definitive date associated with the release of “Pompeii” by Bastille?
The officially recognized release date for the single “Pompeii” by Bastille is February 24, 2013.
Question 2: Was “Pompeii” released independently, or as part of a larger project?
“Pompeii” was released as the fourth single from Bastille’s debut studio album, Bad Blood. Its release was tied to the promotional cycle for that album.
Question 3: Are there regional variations in the release date of “Pompeii”?
While minor variations may have occurred, the February 24, 2013, date represents the broadly accepted global release date. Localized promotional efforts might have influenced specific regional availability, but the overarching date remains consistent.
Question 4: How can the validity of the stated release date be confirmed?
The release date is documented through official press releases from the record label, confirmed discographies of the band, and verifiable historical data from music charts and databases.
Question 5: Does the release date encompass both digital and physical formats?
The February 24, 2013, release date covers the initial availability of the song through primary digital distribution platforms. Physical releases may have followed shortly thereafter, but the date primarily pertains to the digital debut.
Question 6: How does the release date relate to the song’s initial chart performance?
The release date is critical for analyzing the song’s immediate impact on music charts. Chart positions, sales figures, and streaming data are all measured from this date forward, providing a quantifiable assessment of its initial reception.
In summary, February 24, 2013, represents the crucial date associated with the public availability of “Pompeii.” This information is verifiable through reliable sources and is essential for understanding the song’s history and impact.
This concludes the FAQs section. Additional information on related topics is available in subsequent sections.
Conclusion
This exploration of “when was pompeii by bastille released” has established February 24, 2013, as the definitive date. This date is not merely an isolated fact but a cornerstone for understanding the song’s trajectory, its place within the album Bad Blood, its initial reception as evidenced by chart performance, and its subsequent critical assessment. Consideration of these interconnected elements is crucial for a holistic understanding of the track’s introduction to the public sphere.
Future analyses of Bastille’s discography and broader studies of 2010s pop music should recognize the significance of this specific date. The accurate identification of release dates is fundamental for historical and critical accuracy. Further research into the promotional strategies surrounding the song’s release and its enduring cultural impact remains a worthwhile pursuit, contributing to a richer understanding of contemporary music history.
